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Category Archives: CdeC baronets

South from Suffolk to Sussex

13 Wednesday May 2020

Posted by Anne Young in CdeC baronets, Fonnereau, UK trip 2019

≈ 3 Comments

On 22 May we drove from our B&B at Troston in Suffolk to our next stay, a small rented house in Lewes, Sussex. We went via Ipswich and Maldon, crossing the Thames at Dartford. The weather continued glorious: sunny and warm but not hot, with clear skies and a pleasant breeze.

Ipswich, once an important seaport on the River Orwell, was the home of some of my Fonnereau forebears. In 1734 my 7th great grandfather, Claude Fonnereau (1677 – 1740) purchased and moved with his family to Christchurch Mansion, an imposing three-storey edifice with a large park, just a few streets from the centre of the town.

20190522 Christchurch Mansion 100945_IMG_5328

Christchurch Mansion

20190522 Christchurch Park 100503_IMG_5321

Christchurch Park

Since 1885 the Mansion has been a public museum. We were given an excellent tour, our guide, friendly and knowledgeable, doing all he could to make the Fonnereau relatives from Down Under welcome. In her diary my daughter wrote:

“In Ipswich we visited the Christchurch Mansion. This mansion was owned by the Fonnereaus who married the de Crespignys. Mummy was delighted by this mansion and went on a long tour and took lots of photos of portraits. The rest of us humoured her and were very patient.”

20190522 Christchurch Mansion 104439_IMG_5405

20190522 Christchurch Mansion 102519_IMG_5369
20190522 Christchurch Mansion 115534_IMG_5448
20190522 Christchurch Mansion 103312_IMG_5388
20190522 Christchurch Mansion 104505_IMG_5407
20190522 Christchurch Mansion 104459_IMG_5406
20190522 Claude Fonnereau 102302_IMG_5360

Claude Fonnereau (1677-1740) my 7th great grandfather

20190522 Fonnereau daughter 102326_IMG_5362

One of the paintings above the doors on the landing. These may be the daughters of Claude Fonnereau one of whom was my 6th great grandmother Anne Champion de Crespigny née Fonnereau (1704 – 1782) – perhaps this is her portrait.

 

We also visited St Margaret’s Church nearby. Hanging in the nave and chancel were nine hatchments, four of them in memory of members of the Fonnereau family. (A hatchment is a large coat of arms, usually painted on a wood and canvas frame and placed over the door of a deceased person’s house shortly after their death.)

20190522 Ipswich St Margaret's 121850_IMG_5462
20190522 Ipswich St Margaret's 125442_IMG_5493
20190522 Ipswich St Margaret's 122406_IMG_5474
20190522 Fonnereau hatchments 125404_IMG_5490

hatchments for Rev. Dr. Claudius Fonnereau died 1785 and Rev. Charles William Fonnereau died 1840

20190522 Ipswich St Margaret's 122548_IMG_5481

Ipswich
Ipswich
Ipswich
Ipswich

From Ipswich we drove on to Great Totham, in Essex near Maldon. Champion Lodge, nearby, was once the home of Sir Claude de Crespigny (1847 – 1935), the fourth baronet, my fourth cousin three times removed. It is now a nursing home, not open to the public. We had lunch on the sunny terrace of a village pub.

Totham Lodge Care Home
Totham Lodge Care Home
gates of the former Champion Lodge
gates of the former Champion Lodge
pub at Great Totham
pub at Great Totham
a really excellent sandwich
a really excellent sandwich

There had been a family mausoleum at Champion Lodge but when the estate was sold in the 1940s the mausoleum was destroyed, with the remains of those buried there reinterred at St Andrew’s Hatfield Peverel, near Maldon.

20190522 Maldon145021_IMG_5514

Maldon

20190522 Hatfield Peverel 151041_IMG_5525

St Andrew’s Hatfield Peverel with Champion de Crespigny graves

20190522 Hatfield Peverel 150624_IMG_5517
20190522 Hatfield Peverel 150824_IMG_5521
20190522 Hatfield Peverel 150942_IMG_5523
20190522 Hatfield Peverel 150706_IMG_5518
20190522 Hatfield Peverel 150720_IMG_5519

Surprisingly, the various church inscriptions at St Andrew’s make no mention of the Champion de Crespignys. It appears that the family worshipped at St Peter’s Church Great Totham, where they had a private pew. Unfortunately we did not have time to visit St Peter’s, where there are many de Crespigny monuments and memorials. I do not know why the family graves were moved to Hatfield Peverel, not Great Totham.

Continuing south, we crossed the Thames at Dartford. The Dartford Crossing bridge – the crossing also has two tunnels – soars 200 feet over the river. Sorry; the great views going over were poorly captured by the photographer.

20190522 Dartford Crossing 160246_IMG_5535
20190522 Dartford Crossing160628_IMG_5538
20190522 Dartford Crossing160636_IMG_5539
20190522165632_IMG_5551

the highway south

Late in the afternoon we reached Lewes (pronounced ‘Lewers’), a very pretty town about ten miles inland from Brighton. Our house there was clean and comfortable but it was difficult to get to, approachable only by a series of one-way narrow lanes, known in Sussex as ‘twittens‘. The word has a Germanic root meaning ‘alley’; Greg thought it might be something to do with scratches on the paintwork of a hired German car. Ours was a Mercedes; we squeaked through with a just a single layer of black paint to spare.

20190526_093801

Navigating the twitten in Lewes

2019 UK map 20190522

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A portrait of Betsy or of Anne?

03 Monday Feb 2020

Posted by Anne Young in CdeC 18th century, CdeC baronets, Kelmarsh Hall, portrait

≈ 3 Comments

In 1912 pastel portraits of four members of the Champion de Crespigny family were sold by the art-auction firm Christie’s. The unnamed artist was listed as ‘British school’.

Without offering any authority for its identifications, Christie’s sale catalogue names the sitters as:

  • Sir Claude Champion de Crespigny, Bart., in grey coat and plum coloured vest
  • Susanna, sister of the above, and wife of Sir Richard Sutton, Bart,. in white flowered cloak and straw hat
  • Sarah, wife of Sir William Champion de Crespigny, Bart., in yellow dress with blue scarf
  • Anne, wife of Philip de Crespigny, Esq., in white flowered dress, oval

The portrait of Anne is now considered to have been the work of an eighteenth-century Scottish portrait-painter, Katherine Read (1723 – 1778). It was sold most recently by Sotheby’s auction house in 2018. The other three portraits are probably by the same artist.

CdeC Anne de Crespigny pastel sold by Sothebys in 2018

Katherine Read PORTRAIT OF A WOMAN, PROBABLY ANNE CHAMPION DE CRESPIGNY (1739-1797), BUST LENGTH, WITHIN A DRAWN OVAL sold by Sotheby’s lot 54 29 October 2018

Last year on a visit to Kelmarsh Hall, the Northamptonshire country residence of the Lancaster family who were cousins of the Champion de Crespigny family, I took the opportunity to view the various de Crespigny and other family portraits on display.

The Kelmarsh collection includes oil-on-canvas copies of all four of the portraits sold in 1912. However, there are discrepancies between the names attributed to the sitters of the pastel portraits and those of the oil copies.

Sir Claude Champion de Crespigny (1734–1818), 1st Bt British (English) School Kelmarsh Hall Medium oil on canvas Measurements H 74 x W 62 cm
Sir Claude Champion de Crespigny (1734–1818), 1st Bt British (English) School Kelmarsh Hall Medium oil on canvas Measurements H 74 x W 62 cm
Susan (1735–1776), Sister of Sir Claude Champion de Crespigny, 1st Bt George Romney (1734–1802) (circle of) Kelmarsh Hall Medium oil on canvas Measurements H 75 x W 62 cm
Susan (1735–1776), Sister of Sir Claude Champion de Crespigny, 1st Bt George Romney (1734–1802) (circle of) Kelmarsh Hall Medium oil on canvas Measurements H 75 x W 62 cm
Mary Clarke (1749–1812), Wife of Sir Claude Champion de Crespigny, 1st Bt British (English) School Kelmarsh Hall Medium oil on canvas Measurements H 75 x W 62 cm
Mary Clarke (1749–1812), Wife of Sir Claude Champion de Crespigny, 1st Bt British (English) School Kelmarsh Hall Medium oil on canvas Measurements H 75 x W 62 cm
Betsy Hodges (d.1772), Second Wife of Philip Champion de Crespigny George Romney (1734–1802) (circle of) Kelmarsh Hall Medium oil on canvas Measurements H 75 x W 62 cm
Betsy Hodges (d.1772), Second Wife of Philip Champion de Crespigny George Romney (1734–1802) (circle of) Kelmarsh Hall Medium oil on canvas Measurements H 75 x W 62 cm

Kelmarsh Hall oil on canvas portraits of Claude, Susan, Mary, and Betsy de Crespigny

The first two portraits, Claude (1734 – 1818), the first baronet, in a plum-coloured waistcoat and Susan wearing a straw hat, are clearly copies of the pastels and there is no discrepancy as to who the sitters were.

Susan, Claude’s sister, was born 1735 and died in 1766, which means that her portrait was probably drawn before 1766. In 1765 Susan married Richard Sutton. It seems reasonable to suppose that this portrait was done about the time of her wedding.

The sitter of the third pastel portrait was identified in the 1912 Christie’s catalogue as Sarah (1763 – 1825), wife of Sir William Champion de Crespigny (1765 – 1829).

Kelmarsh Hall has a oil portrait said to be of Sarah, and in this she is wearing a blue dress with a yellow shawl not, as in the pastel, a yellow dress with blue scarf. She is very much younger than the other sitters.

Kelmarsh Hall also has a portrait of Mary (1747 – 1812), wife of Sir Claude Champion de Crespigny the first baronet. She is wearing a yellow dress with a blue shawl, as described in the 1912 catalogue. I think it more likely based on the description that the third pastel portrait in the 1912 catalogue is the portrait hanging at Kelmarsh and now said to be of Mary de Crespigny née  Clarke.

Lady Sarah Windsor (1763–1825) British (English) School Kelmarsh Hall Medium oil on canvas Measurements H 74 x W 61 cm
Lady Sarah Windsor (1763–1825) British (English) School Kelmarsh Hall Medium oil on canvas Measurements H 74 x W 61 cm
Mary Clarke (1749–1812), Wife of Sir Claude Champion de Crespigny, 1st Bt British (English) School Kelmarsh Hall Medium oil on canvas Measurements H 75 x W 62 cm
Mary Clarke (1749–1812), Wife of Sir Claude Champion de Crespigny, 1st Bt British (English) School Kelmarsh Hall Medium oil on canvas Measurements H 75 x W 62 cm

Kelmarsh Hall: Lady Sarah Windsor (1763–1825) and Mary Clarke (1749–1812), Wife of Sir Claude Champion de Crespigny, 1st Bt

Claude and Mary married in 1764. I think perhaps the first and third portraits were done not long after their wedding, maybe about 1765, at the time when Susan’s portrait was done. It seems likely that the 1912 catalogue misidentified the sitter as the wife of the second baronet. She was in fact Mary, wife of the first baronet. The Kelmarsh Hall portrait of Mary seems to be a better match to the other three portraits and thus likely to be a copy of the third pastel sold in 1912.

There is another possibility: the third portrait is of Sarah Champion de Crespigny née Cocksedge, the first wife of Philip Champion de Crespigny who was the brother of Claude and Susan. Sarah de Crespigny died in 1768. It may be that the 1912 catalogue description correctly identified the sitter as Sarah de Crespigny but misattributed the husband as William de Crespigny (1765 – 1829) instead of his uncle Philip de Crespigny (1738 – 1803). I know of no other portrait of this Sarah de Crespigny.

The fourth portrait, of Anne, has been offered for sale several times since 1912, most recently in 2018. This portrait was probably of Anne Champion de Crespigny, the sister of Philip and Claude, not of her mother, Anne Champion Crespigny née Fonnereau (1704 – 1782), wife of Philip (1704 – 1765). The woman in the portrait, probably drawn in the 1760s, is too young to be the senior Anne de Crespigny.

Katherine Read PORTRAIT OF A WOMAN, PROBABLY ANNE CHAMPION DE CRESPIGNY (1739-1797), BUST LENGTH, WITHIN A DRAWN OVAL sold by Sotheby's lot 54 29 October 2018
Katherine Read PORTRAIT OF A WOMAN, PROBABLY ANNE CHAMPION DE CRESPIGNY (1739-1797), BUST LENGTH, WITHIN A DRAWN OVAL sold by Sotheby’s lot 54 29 October 2018
Betsy Hodges (d.1772), Second Wife of Philip Champion de Crespigny George Romney (1734–1802) (circle of) Kelmarsh Hall Medium oil on canvas Measurements H 75 x W 62 cm
Betsy Hodges (d.1772), Second Wife of Philip Champion de Crespigny George Romney (1734–1802) (circle of) Kelmarsh Hall Medium oil on canvas Measurements H 75 x W 62 cm

The pastel portrait sold most recently by Sotheby’s in 2018 and thought to be of Anne de Crespigny, and the Kelmarsh oil on canvas portrait said to be of Betsy de Crespigny née Handly. I am reasonably certain the painting at Kelmarsh Hall is a copy of the pastel portrait and is thus of the same woman – so is the portrait of Anne or of Betsy?

However, the copy of the portrait identified in 1912 and 2018 as Anne de Crespigny is identified at Kelmarsh as being of Betsy Hodges née Handly formerly Borradale, second wife of Philip Champion de Crespigny brother of Claude and Susan and Anne.

Betsy was born in 1743. In 1765 she married George Borradale, a clergyman. They were divorced in 1769 and Borradale died shortly afterwards. In 1770 or 1771 Betsy married again, to Philip Champion de Crespigny, who had been widowed in 1768. Betsy died in May 1772, not long after the birth of her son Charles Champion de Crespigny (1772 – 1774).

It is hard to know if the pastel portrait with a copy at Kelmarsh Hall is of Anne or her sister-in-law Betsy.

At the time of the 2018 sale of the pastel through Sotheby’s, the description of the work stated that there was an indistinct inscription on the reverse. The lot includes a photo of the reverse but I am unable to make out any inscription. Perhaps in the early 20th century the inscription was clearer and thus the attribution of the sitter as Anne de Crespigny was based on that inscription.

Philip Champion de Crespigny (1738 – 1803) had four wives: Sarah died 1768, Betsy died 1772, Clarissa died 1782 and Dorothy died 1837. Clarissa and Dorothy had their portraits painted by the fashionable artist George Romney. Philip was interested in portrait painting and it seems plausible that his first wife would have had her portrait done.

If the inscription on the reverse of the fourth portrait could be deciphered it might give more certainty as to who the sitter was. Similarly if the third portrait re-appears, an inscription would also give some certainty as to who the sitter might be.

I suspect that the 1912 catalogue was correct in the names of the sitters, that is the four portraits were of Claude, Susan, Sarah and Anne de Crespigny. Confusion may have arisen because the 1912 catalogue was incorrect as to who were the husbands of Sarah and Anne de Crespigny. It also may be that Kelmarsh Hall has misattributed the sitters of the portraits of Mary de Crespigny née  Clarke and Betsy de Crespigny née  Handley. Without further documentation I don’t think it is possible to be certain.

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