Philip Champion de Crespigny (1738 – 1803), one of my fifth great grandfathers, married four times. His third marriage was to Clarissa Brooke on 1 July 1774 at St Marylebone. They married by licence with the consent of her father, James Brook(e) of Rathbone Place. She was a minor, of the parish of St Marylebone. Philip was recorded as an Esquire, of Walton upon Thames, County of Surry, widower. He signed his name PC Crespigny. The witnesses were James Brooke and Hester Brooke.
Clarissa Sarah, daughter of James Brooke an engraver, and Esther Brooke nee Bent of Fleet Street in the City of London, was born on 29 April 1755 and baptised on 3 June 1755 at St Bride’s Fleet Street. Clarissa’s mother Esther later left her husband and became an actress.
The Gentleman’s Magazine London, England July, 1774
Clarissa and Philip had four children:
Clarissa (about 1775 – 1836) who married Edward Toker
Maria (1776 – 1858) who married John Horsley
Harry (1777 – ?) baptised 14 August 1777 at Walton-upon-Thames, Surrey and presumably died young
Fanny (1779 – 1865)
Clarissa and two of her daughters were painted in 1780 by George Romney. By 1780 Romney’s portraits, according to Horace Walpole, were ‘in great vogue’. Romney’s diary notes that the painting was oval and he charged fifty pounds.
Fifty pounds in today’s value is around £7,000 ($AUD13,000) when measured as a real price. However it could be valued as the labour earnings of that income or wealth equivalent to £80,000 ($AUD150,000) or looked as relative income value of that income or wealth being £95,000 ($AUD175,000). I think the two latter values more closely measure how much Romney was earning and thus what Philip needed to earn in order to pay him.
Clarissa Champion de Crespigny and two of her children by George Romney. It would seem that the daughters shown are Clarissa born about 1775 and Maria born about 1776. The painting was last sold in 1989 from a private seller to a private buyer through the London dealers Leger Galleries. This image is from a reproduction of the painting and came from Alex Kidson, Research Fellow of the Romney Society.
Clarissa had appointments to sit for the portrait on 14 and 17 April and each of the four days from 13 to 16 June 1780. She cancelled four further appointments around those dates. In his 2015 catalogue of the paintings of George Romney, Alex Kidson notes the unusual landscape oval format and the “subtleness of design in the angling and interlocking of the figures”.
Clarissa died on 15 May 1782 in Palace Yard, Westminster, and was buried at St Marylebone on 22 May. She was twenty-seven years old. A short biographical piece on her father refers to her as an amiable and accomplished lady who died in the prime of life.
Smith, Thomas. (2013). A Topographical and Historical Account of the Parish of St. Mary-Le-Bone, Comprising a Copious Description of Its Public Buildings, Antiquities, Schools, Charitable Endowments, Sources of Public Amusement, &c. London: Forgotten Books. (Original work published 1833) retrieved from http://www.forgottenbooks.org/books/A_Topographical_and_Historical_Account_of_the_Parish_of_St_1000735867 The same obituary appeared elsewhere, for example in the Hampshire Chronicle of 2 November 1807.
In compiling this brief biography of my 1st cousin 5 times removed Pulteney Sherburne (1802 – 1831), I have tried to flesh out the bare record with a few inferences and conjectures but, with little material to draw on beyond names, dates, and the sparse chronology of his army career, I am afraid the portrait I have drawn of the man may be a little distorted. It’s the best I can do.
Born in India
Pulteney Johnstone Poole Sherburne, the son of Joseph Sherburne (1751 – 1805) and Frances Johnstone Sherborne née Dana (1768 – 1832) was born in north-east India and baptised in Bhagalpur in 1802. Joseph Sherburne was a Magistrate Collector and senior merchant with the East India Company. Pulteney was the oldest child. A sister, Frances, was born in 1803. Joseph Sherburne died in 1805 and Frances Johnstone Sherburne returned to England with her two children.
Army career
On 20 April 1813 Pulteney Sherburne was appointed as an ensign with the South Hants Regiment of Militia. The militia was designed to serve as a home guard or reserve force. In 1813 England was at war with the French. Sherburne was aged 11 and it appears that this was intended as a first step in a military career. In modern terms he had become a part-time officer cadet.
All three of Pulteney’s surviving uncles were in the army at this time:
George Kinnaird Dana (1770 – 1837) was Lieutenant-Colonel of the 6th garrison regiment serving in Nenagh, Tipperary, Ireland.; he was promoted to Major-General on 4 June 1813
William Pulteney Dana (1776 – 1861) was paymaster in his brother’s regiment, also serving in Ireland
Charles Patrick Dana (1784 – 1816) served with the East India Company and was a captain with the 23rd Regiment of the Bengal Native Infantry at the time of his death at sea travelling back to England in 1816
On 27 July 1815, a month after the Battle of Waterloo, Volunteer Pulteney Johnstone Poole Sherburne was commissioned as an Ensign (without purchase) in the First Regiment of Foot, the Royal Scots. An ensign was the most junior rank of commissioned officer in the army. Pulteney Sherburne was about 13 years old. At the time the Royal Scots had four battalions. I am not sure which battalion Sherburne served in. The first was stationed in Ireland from 1816 to 1825; the second was in India and involved in the Third Anglo-Maratha War; the third formed part of the Army of Occupation following the Battle of Waterloo. It was disbanded in 1817. The fourth battalion was used mainly as a depot battalion for providing the other three battalions with drafts and it was recruited mainly from the militia. It was disbanded in 1816.
In 1818 Sherburne transferred from the 1st Foot where he had been on half-pay to the 70th Foot. In 1818 and 1819 the 70th Foot was serving in Canada: at Fort George from April 1817, Kingston from June 1819 and Quebec from May 1821.
The Gazette of 18 April 1822 announced the promotion of Ensign Pulteney J. Poole Sherburne, from the 70th Foot, to Lieutenant (without purchase) in the First Regiment of Foot. The Gazette of 11 May 1822 updated the announcement to say the Commission of Lieutenant Sherburne, of the 1st Foot, has been antedated to 18th October 1820, but that he had not been allowed to receive any back-pay. It seems that although Sherburne had been a lieutenant with the 1st Foot from 1820 he had been paid as such only from 1822.
In the Gazette of 24 October 1822 Pulteney J. Poole Sherburne of the 1st Regiment of Foot exchanged with Lieutenant Daniel Keogh of the 58th Foot who was on half-pay. The 58th Foot was in Jamaica, the West Indies, from 1816 to 1828 when it was deployed to Ceylon.
I can find no further notices in the Gazette revealing Sherburne’s military career.
Bruce Bassett-Powell who maintains a website devoted to the study of military uniforms at Uniformology.com, commented:
Lieutenant Sherbourne’s experience as a company officer would be fairly typical. … The dramatic draw down of regimental personnel after the Napoleonic Wars left many career officers without a regiment of their choice, so officers were transferred with or without purchase to any regiment they could find. … [Sherburne’s] career was so very typical of the era in which he served.
email correspondence July 2020
Barrack Master
From about 1825 (possibly as early as 1822) when he exchanged out of the 1st to the 58th on half-pay, Lieutenant P. P. Sherburne held the position of Barrack Master at Berbice in the British West Indies, now in present-day Guyana.
From 1822 British army barracks were the responsibility of the Board of Ordnance. In 1826 there were 41 barrack masters in the Foreign Departments administered by the Board; the West Indies station had 14 barracks.
Barrack masters oversaw individual barracks and their role was to see that the blocks were properly equipped, maintained and run in accordance with a bureaucratic system of regular returns.
In the 1826 Army Ordnance estimates Berbice had 10,000 pounds allocated for a new Barrack, Commissariat and Ordnance Establishment at Canje Point to replace the Barrack Establishment at St Andrews which was not worth repairing.
The army in Berbice used slave labour hired from others. There were several complaints about Lieutenant Sherburne and his treatment of slaves while he was barrack master; in at least one instance Sherburne was investigated for alleged cruelty and the charges were disproved.
New Amsterdam Berbice in the 1830s from Sketch Map of British Guiana by Robert Hermann Schomburgk (1804–65) published in London 1840 retrieved from World Digital Library https://www.wdl.org/en/item/11335/
British colony in Berbice
The garrison at Berbice was quartered at Fort Canje one mile from New Amsterdam. The 1838 Army Medical Services Report describes the garrison as a small military post of square form bounded by the Berbice River on one side and a small stream called the Canje. The two other sides were protected by trenches and wooden pallisades. The ground on which it is built is low and swampy.
The 1838 report of the Army Medical Services observed that the climate of the whole of British Guiana was noted for its extreme moisture, the rate of annual rainfall being six times that of Great Britain. The average temperature in Berbice was 80 degrees Fahrenheit with a minimum of 75 and maximum of 86. The Berbice district was the most southerly British possession in the West Indies. It extended 100 miles along the coast and the ground was so low that at high-water it would be completely inundated were it not protected by strong dams (dykes). Where the country was not under cultivation in the 1830s it was a succession of forests, savannahs and marshes. The soil was said not to absorb the moisture and became very muddy. The air was consequently reported as extremely humid.
It was always a sickly piece of land. Even now, few people live out here, on the swamps formed at the confluence of the Berbice and the Canje. The clay is always weeping oily water, and the air is itchy with mosquitoes. … There was no view beyond,just an enormous burning sky and a fringe of thick mangrove.
Canje River, Guyana taken from the Canje Bridge in New Amsterdam in 2009 by User:Loriski , CC BY-SA 3.0 retrieved from Wikimedia Commons.
In 1838 there was a barrack with an hospital and offices within the fort for the accommodation of the troops. The barrack was an oblong wooden building with a basement used for stores and two upper stories each divided into four apartments for the soldiers with some smaller rooms for non-commissioned officers. The hospital was also built of wood with a basement and two stories.
British Guiana was not a healthy place. In 1826 there were 1162 white troops and 74 black troops in the colony. In that year there were 115 deaths among those troops. In 1831 there were 968 white troops and 2160 black troops with 113 deaths that year. Most of the deaths among white troops at that time were from fevers, particularly yellow fever.
Leave in England
In 1830 Sherburne was on leave in England and he signed his final will on 7 August 1830 at Burton in Wiltshire. He described himself as “Lieutenant in His Majestys Army and Barrack Master to the forces serving in the Colony of Berbice”. He appointed his cousin Joseph Coxon of Burton, Wiltshire, as executor and the main beneficiary was Joseph Coxon’s daughter Isabella Coxon.
[In 1788 Harriet Sherburne, sister of Pulteney’s father Joseph, had married John Coxon, Esq., Command of the Grosvenor, East Indiaman; the Grosvenor, under the command of John Coxon was shipwrecked in 1782; John Coxon was among those who died afterwards. Harriet’s son Joseph (1779 – 1842) had a daughter Isabella born 1809.]
Death in West Indies
Pulteney Sherburne died in Berbice on 28 June 1831 aged about 28.
At the time of his death he was Barrack Master, with the rank of Lieutenant. His death notices in The Asiatic Journal, Gentleman’s Magazine, and New Monthly Magazine describe him as “late of the “Royals” but the army death notices state he was of the 58th Regiment of Foot on half pay. As the 1st Regiment of Foot was more prestigious than the 58th Foot his family perhaps wanted to retain that association from before he transferred out.
In its Rare Books and Special Collection, the University of British Columbia has a bookplate belonging to P. J. P. Sherburne. The bookplate is not associated with a particular book and is mentioned in H.W. Fitcham, “Artist and Engravers of British and American Bookplates,” 1897. Fitcham dates the bookplate to 1820. In 1820 Pulteney Sherburne turned 18 and was promoted to Lieutenant. The bookplate has a shield, Quarterly— 1 and 4, Vert, an eagle displayed argent ; 2 and 3, Argent, a lion rampant. Crest : An unicorn’s head. Motto : “Je ne cede a personne.” The Sherburne coat of arms was discussed in a previous post on The search for the Arms of the Dana family as it appears engraved on a box which Pulteney’s mother left in her will to her niece and goddaughter Charlotte, my 3rd great grandmother.
The motto is unusual but as Arthur Fox-Davies notes in his Complete Guide to Heraldry, mottoes do not form part of the grant of arms in England but are “ left purely to the personal pleasure of every individual”. The phrase “Je ne cede a personne” or in Latin: Concedo Nulli– I yield to none – appears associated with the Dutch philosopher Erasmus in the 1805 book “Memoirs of Angelus Politianus, Joannes Picus of Mirandula, Actius Sincerus Sannazarius, Petrus Bembus, Hieronymus Fracastorius, Marcus Antonius Flaminius, and the Amalthei : translations from their poetical works: and notes and observations concerning other literary characters of the fifteenth and sixteenth centuries”.
The uniform in the miniature portrait could be either the 58th or the 70th regiment. Bruce Bassett-Powell confirms both regiments had black facings with gold lace, evenly spaced. Bassett-Powell suggests it is possible that the portrait of him was done in Canada, that is when he was serving with the 70th Foot.
Frances Sherburne, Pulteney’s mother, made her will not long after she heard of Pulteney’s death – sadly both her children predeceased her and there are no descendants. She specifically mentioned the portrait in her will, leaving it to her niece and goddaughter.
In his portrait Pulteney Sherburne looks bright, determined and optimistic. The role of Barrack Master in Berbice would have been demanding as he was in charge of constructing a new barracks and dealing with living in a challenging humid climate. Sherburne’s army career, cut short by his premature death aged 28, was not notably successful. He maintained his career despite the army being reduced following the end of the Napoleonic wars. Born in India and serving in Canada and the West Indies, Pulteney Johnstone Poole Sherburne (1802 – 1831) was one of the many men who contributed to the making of the British Empire across the globe.
The army list. 1820. p. 6. P. P. Sherburne 27 July 15 Ensign with the 70th Foot.
Weaver, Lawrence (1915). The story of the Royal Scots (the Lothian regiment) formerly the First or the Royal Regiment of Foot, London. p. 170 retrieved through archive.org
Email correspondence July 2020 with Bruce Bassett-Powell who maintains a website devoted to the study of military uniforms at Uniformology.com
Great Britain House of Commons (1826). Journals of the House of Commons. H.M. Stationery Office. p. 710. Army:- Ordnance Estimates 1826/7 Appendix to the Supplementary Estimate Item no. 2 Barrack Masters and Barrack Serjeants: list by station.
The National Archives; Kew, England; Prerogative Court of Canterbury and Related Probate Jurisdictions: Will Registers; Class: PROB 11; Piece: 1790 retrieved through ancestry.com
Greswell, William Parr & Poliziano, Angelo, 1454-1494 & Pico della Mirandola, Giovanni, 1463-1494 & Sannazaro, Jacopo, 1458-1530 & Bembo, Pietro, 1470-1547 et al. (1805). Memoirs of Angelus Politianus, Joannes Picus of Mirandula, Actius Sincerus Sannazarius, Petrus Bembus, Hieronymus Fracastorius, Marcus Antonius Flaminius, and the Amalthei : translations from their poetical works: and notes and observations concerning other literary characters of the fifteenth and sixteenth centuries (The 2nd ed., greatly augm). Cadell & Davies, London. pp 90-1 retrieved from archive.org.
In 1912 pastel portraits of four members of the Champion de Crespigny family were sold by the art-auction firm Christie’s. The unnamed artist was listed as ‘British school’.
Without offering any authority for its identifications, Christie’s sale catalogue names the sitters as:
Sir Claude Champion de Crespigny, Bart., in grey coat and plum coloured vest
Susanna, sister of the above, and wife of Sir Richard Sutton, Bart,. in white flowered cloak and straw hat
Sarah, wife of Sir William Champion de Crespigny, Bart., in yellow dress with blue scarf
Anne, wife of Philip de Crespigny, Esq., in white flowered dress, oval
Katherine Read PORTRAIT OF A WOMAN, PROBABLY ANNE CHAMPION DE CRESPIGNY (1739-1797), BUST LENGTH, WITHIN A DRAWN OVAL sold by Sotheby’s lot 54 29 October 2018
Last year on a visit to Kelmarsh Hall, the Northamptonshire country residence of the Lancaster family who were cousins of the Champion de Crespigny family, I took the opportunity to view the various de Crespigny and other family portraits on display.
The Kelmarsh collection includes oil-on-canvas copies of all four of the portraits sold in 1912. However, there are discrepancies between the names attributed to the sitters of the pastel portraits and those of the oil copies.
Sir Claude Champion de Crespigny (1734–1818), 1st Bt British (English) School Kelmarsh Hall Medium oil on canvas Measurements H 74 x W 62 cm
Susan (1735–1776), Sister of Sir Claude Champion de Crespigny, 1st Bt George Romney (1734–1802) (circle of) Kelmarsh Hall Medium oil on canvas Measurements H 75 x W 62 cm
Mary Clarke (1749–1812), Wife of Sir Claude Champion de Crespigny, 1st Bt British (English) School Kelmarsh Hall Medium oil on canvas Measurements H 75 x W 62 cm
Betsy Hodges (d.1772), Second Wife of Philip Champion de Crespigny George Romney (1734–1802) (circle of) Kelmarsh Hall Medium oil on canvas Measurements H 75 x W 62 cm
Kelmarsh Hall oil on canvas portraits of Claude, Susan, Mary, and Betsy de Crespigny
The first two portraits, Claude (1734 – 1818), the first baronet, in a plum-coloured waistcoat and Susan wearing a straw hat, are clearly copies of the pastels and there is no discrepancy as to who the sitters were.
Susan, Claude’s sister, was born 1735 and died in 1766, which means that her portrait was probably drawn before 1766. In 1765 Susan married Richard Sutton. It seems reasonable to suppose that this portrait was done about the time of her wedding.
The sitter of the third pastel portrait was identified in the 1912 Christie’s catalogue as Sarah (1763 – 1825), wife of Sir William Champion de Crespigny (1765 – 1829).
Kelmarsh Hall has a oil portrait said to be of Sarah, and in this she is wearing a blue dress with a yellow shawl not, as in the pastel, a yellow dress with blue scarf. She is very much younger than the other sitters.
Kelmarsh Hall also has a portrait of Mary (1747 – 1812), wife of Sir Claude Champion de Crespigny the first baronet. She is wearing a yellow dress with a blue shawl, as described in the 1912 catalogue. I think it more likely based on the description that the third pastel portrait in the 1912 catalogue is the portrait hanging at Kelmarsh and now said to be of Mary de Crespigny née Clarke.
Lady Sarah Windsor (1763–1825) British (English) School Kelmarsh Hall Medium oil on canvas Measurements H 74 x W 61 cm
Mary Clarke (1749–1812), Wife of Sir Claude Champion de Crespigny, 1st Bt British (English) School Kelmarsh Hall Medium oil on canvas Measurements H 75 x W 62 cm
Kelmarsh Hall: Lady Sarah Windsor (1763–1825) and Mary Clarke (1749–1812), Wife of Sir Claude Champion de Crespigny, 1st Bt
Claude and Mary married in 1764. I think perhaps the first and third portraits were done not long after their wedding, maybe about 1765, at the time when Susan’s portrait was done. It seems likely that the 1912 catalogue misidentified the sitter as the wife of the second baronet. She was in fact Mary, wife of the first baronet. The Kelmarsh Hall portrait of Mary seems to be a better match to the other three portraits and thus likely to be a copy of the third pastel sold in 1912.
There is another possibility: the third portrait is of Sarah Champion de Crespigny née Cocksedge, the first wife of Philip Champion de Crespigny who was the brother of Claude and Susan. Sarah de Crespigny died in 1768. It may be that the 1912 catalogue description correctly identified the sitter as Sarah de Crespigny but misattributed the husband as William de Crespigny (1765 – 1829) instead of his uncle Philip de Crespigny (1738 – 1803). I know of no other portrait of this Sarah de Crespigny.
The fourth portrait, of Anne, has been offered for sale several times since 1912, most recently in 2018. This portrait was probably of Anne Champion de Crespigny, the sister of Philip and Claude, not of her mother, Anne Champion Crespigny née Fonnereau (1704 – 1782), wife of Philip (1704 – 1765). The woman in the portrait, probably drawn in the 1760s, is too young to be the senior Anne de Crespigny.
Katherine Read PORTRAIT OF A WOMAN, PROBABLY ANNE CHAMPION DE CRESPIGNY (1739-1797), BUST LENGTH, WITHIN A DRAWN OVAL sold by Sotheby’s lot 54 29 October 2018
Betsy Hodges (d.1772), Second Wife of Philip Champion de Crespigny George Romney (1734–1802) (circle of) Kelmarsh Hall Medium oil on canvas Measurements H 75 x W 62 cm
The pastel portrait sold most recently by Sotheby’s in 2018 and thought to be of Anne de Crespigny, and the Kelmarsh oil on canvas portrait said to be of Betsy de Crespigny née Handly. I am reasonably certain the painting at Kelmarsh Hall is a copy of the pastel portrait and is thus of the same woman – so is the portrait of Anne or of Betsy?
However, the copy of the portrait identified in 1912 and 2018 as Anne de Crespigny is identified at Kelmarsh as being of Betsy Hodges née Handly formerly Borradale, second wife of Philip Champion de Crespigny brother of Claude and Susan and Anne.
Betsy was born in 1743. In 1765 she married George Borradale, a clergyman. They were divorced in 1769 and Borradale died shortly afterwards. In 1770 or 1771 Betsy married again, to Philip Champion de Crespigny, who had been widowed in 1768. Betsy died in May 1772, not long after the birth of her son Charles Champion de Crespigny (1772 – 1774).
It is hard to know if the pastel portrait with a copy at Kelmarsh Hall is of Anne or her sister-in-law Betsy.
At the time of the 2018 sale of the pastel through Sotheby’s, the description of the work stated that there was an indistinct inscription on the reverse. The lot includes a photo of the reverse but I am unable to make out any inscription. Perhaps in the early 20th century the inscription was clearer and thus the attribution of the sitter as Anne de Crespigny was based on that inscription.
Philip Champion de Crespigny (1738 – 1803) had four wives: Sarah died 1768, Betsy died 1772, Clarissa died 1782 and Dorothy died 1837. Clarissa and Dorothy had their portraits painted by the fashionable artist George Romney. Philip was interested in portrait painting and it seems plausible that his first wife would have had her portrait done.
If the inscription on the reverse of the fourth portrait could be deciphered it might give more certainty as to who the sitter was. Similarly if the third portrait re-appears, an inscription would also give some certainty as to who the sitter might be.
I suspect that the 1912 catalogue was correct in the names of the sitters, that is the four portraits were of Claude, Susan, Sarah and Anne de Crespigny. Confusion may have arisen because the 1912 catalogue was incorrect as to who were the husbands of Sarah and Anne de Crespigny. It also may be that Kelmarsh Hall has misattributed the sitters of the portraits of Mary de Crespigny née Clarke and Betsy de Crespigny née Handley. Without further documentation I don’t think it is possible to be certain.
OFF TO THE FRONT. (1915, May 20). The Express and Telegraph (Adelaide, SA : 1867 – 1922), p. 5 (4 O’CLOCK EDITION. SPORTS NUMBER). Retrieved from http://nla.gov.au/nla.news-article209986299
Philip Chauncy 1878, image attached to my ancestry.com family tree
The photograph above, “Philip_Chauncy 1878”, first shared by me on 27 March 2012 on my online public tree at Ancestry.com, has been saved and added by at least 13 people to their public Ancestry trees.
Yesterday someone asked me how I knew the subject was really Philip Chauncy, an excellent question. To able to substantiate your facts is the foundation of every sort of history.
Over twenty years ago, before Greg and I moved from Canberra to Ballarat, we spent an evening with one of my third cousins once removed, like me a descendant of Philip Lamothe Snell Chauncy (1816 – 1880), my 3rd great grandfather. My cousin and his wife very generously shared the results of their family history research with me, including a copy of “Philip_Chauncy 1878”, which I remember they said came from the Anglican Cathedral in Ballarat.
Philip Chauncy was appointed Registrar of the diocese of Ballarat in August 1878. He had lost his position as Government surveyor in January 1878 when around 400 public servants were sacked by the Victorian Government. He resigned as Registrar in late 1879 and died the following April. He had held the Registrar’s position for just over a year. The Church of England Messenger and Ecclesiastical Gazette for the Diocese of Melbourne and Ballarat published an obituary on 7 June 1880.
THE LATE MR. PHILIP CHAUNCY. (1880, June 7). The Church of England Messenger and Ecclesiastical Gazette for the Diocese of Melbourne and Ballarat (Vic. : 1876 – 1889), p. 6. Retrieved from http://nla.gov.au/nla.news-article197135316
Three years ago Greg and I went to the Anglican Cathedral in Ballarat in search of “Philip_Chauncy 1878”, naturally expecting to have to make an appointment to view the archives. To our surprise the gentleman who met us at the door was able to take us directly to the photograph, which was hanging on the wall close to the entrance of the Diocesan offices. The photograph was captioned “Philip Chauncy Esq. Registrar of the Diocese 1878”, and signed “Richards & Co Ballarat”. It was indeed the image passed on to me by my cousin.
Anglican Diocese of Ballarat: Cathedral and Diocesan Offices Lydiard Street September 2016
Portrait of Philip Chauncy hanging in the Diocesan Offices of the Anglican Diocese of Ballarat in September 2016
It is one of only two photographs of Philip Chauncy that I have come across, the other being a family portrait taken shortly after the death of Philip’s wife Susan in 1867.
Philip Chauncy and children shortly after the death of Philip’s wife Susan Chauncy nee Mitchell in 1867. From left to right Auschar Philip (1855–1890), Amy Blanche (1861–1925), Theresa Snell (1849–1886), Frederick Philip Lamothe (1863–1926), Philip (1816 – 1880), on Philip’s lap Clement Henry (1865–1902), William Snell (1853–1903), Constance (1859–1907), Annie Frances (1857–1883)
Sources
Notes. (1878, September 13). The Church of England Messenger and Ecclesiastical Gazette for the Diocese of Melbourne and Ballarat (Vic. : 1876 – 1889), p. 6. Retrieved from http://nla.gov.au/nla.news-article197135877
THE LATE MR. PHILIP CHAUNCY. (1880, June 7). The Church of England Messenger and Ecclesiastical Gazette for the Diocese of Melbourne and Ballarat (Vic. : 1876 – 1889), p. 6. Retrieved from http://nla.gov.au/nla.news-article197135316
Photographs taken by Anne Young 15 September 2016.
On Wednesday 8 May we drove north from Bath, calling in at the village of Whitmore in Staffordshire, near Stoke-on-Trent, to visit some of my cousins. On the way we stopped at Tewkesbury, near Cheltenham in Gloucestershire, to look at the abbey there. From Whitmore we went on to West Didsbury near Manchester, our next base.
One of my fifteenth great grandfathers, William Vaux (1435 – 1471), who fought in the War of the Roses for the Red Rose of Lancaster, was killed at the Battle of Tewkesbury on 4 May 1471. He is said to have been buried at the Abbey, but I have been unable to find any record of this in the Abbey archives, and the list of inscriptions in the Tewkesbury Abbey church does not mention his name. This didn’t matter, for if you had an untraceable ancestor said to have been buried somewhere you couldn’t do better than not have him in Tewkesbury. It’s a lovely old church, said to be the one of the finest Norman abbeys in England.
We drove on to Whitmore and had lunch and an edifying chat with my cousins about Brexit, which turns out to be a plot to deprive England of its sovereignty, like 1066. At least one Australian present was reminded of the joke about a headline in an English newspaper that read, ‘Fog in Channel. Continent cut off’. On the other hand, the German car we had hired was showing unmistakable signs of having been designed and assembled by a committee of bureaucrats in Brussels, so who knows?
The Eureka flag was flying, a present we had sent to England some time previously. There is a family connection other than cousins from Ballarat; a Cudmore cousin fought at Eureka (on the Government side).
Lunch was served on the family’s Minton china, commissioned by my great uncle Rafe Cavenagh-Mainwaring (1906 – 1995), a copy of a setting that his great great grandfather (my fourth great grandfather) Rowland Mainwaring (1783 – 1862) had ordered. Time moves slowly in the pottery towns, and Minton apparently still had the records from the first commission to run up a second one. When you got to the bottom of your plate, there was the family crest, an ass’s head on a crown. The motto is ‘Devant si je puis’ [Forward if I Can], a useful reminder to wait for the next course.
We had a tour of the house and stables and saw many family portraits. The house, now listed with Historic Houses, is open to the public. Our guide seemed very knowledgeable on the family history. In one or two places a section of the modern wall had been removed to expose the original structure. This had an interesting consequence. Breaching the wall had allowed a ghostly lady from an earlier era playing ghostly old music to wander into the present. There has been a house on the same site for over 900 years and it has belonged to the same family since the time of the Domesday Book in 1086, so I suppose you’d expect an apparition or two.
My fourth great grandfather Rowland Mainwaring kept a diary, now stored and displayed in an upstairs sitting room. Several volumes have been stolen unfortunately, probably souvenired by visitors. While we were at Whitmore my son Peter photographed some pages of the diary for me, including, sadly, the last entry, written by Rowland Mainwaring on the day he died.
Before we left we visited the churchyard and some family graves.
I look forward to seeing my family’s Champion de Crespigny portraits at Kelmarsh Hall in Northamptonshire when we visit England next month.
Kelmarsh Hall and its 3,000 acre estate was bought in 1902 by George Granville Lancaster (1853-1907) and Cicely Lancaster née Champion de Crespigny (1874-1946).
Cicely was the second child and oldest daughter of Sir Claude Champion de Crespigny (1847-1935) and his wife Georgiana (1849-1935). She married George Lancaster on 19 March 1896 at Maldon, Essex, where the de Crespigny family lived at Champion Lodge.
Claude Lancaster inherited Kelmarsh when he turned 25. Not long afterwards, the Hall was leased, a ten year repairing lease, to Ronald Tree and his wife Nancy Tree nee Perkins formerly Field. Ronald Tree was a journalist and investor and later a politician. The Trees redecorated Kelmarsh. Nancy later become well known for helping to create the English Country House look.
When the Trees purchased a different house in 1933, Claude Lancaster moved back to Kelmarsh Hall, where he became an enthusiastic gardener. In 1948 he married the then-divorced Nancy Tree. Five years later, in 1953, the Lancasters were divorced. Despite the short marriage Nancy is best known by her third married surname, Lancaster.
At present times, Kelmarsh Hall is renowned for its gardens and for the interior decoration of Nancy Lancaster.
Claude Lancaster’s grandfather, Sir Claude Champion de Crespigny the fourth baronet, died in 1935. The title passed to one of his sons, Claude Raul Champion de Crespigny (1878-1941). When Raul died in 1941 the title passed to Raul’s cousins. None of the baronets had sons and the title was passed on three more times in the 1940s. The title became extinct in 1952 with the death of the eighth baronet.
At some stage, presumably in the 1940s, Kelmarsh Hall became the repository for a number of Champion de Crespigny portraits and family documents. The contents of Champion Lodge, including the pictures, were sold in January 1947 after the death of the sixth baronet, Henry Champion de Crespigny (1882 – 1946).
The pictures in the sale are not specified. Perhaps Claude Lancaster bought the family pictures at the auction; perhaps Raul or Henry had given the pictures to Claude Lancaster to be hung at Kelmarsh Hall. After Champion Lodge was sold, Kelmarsh Hall was the only home in the family that would be large enough to hang the pictures.
For a number of years many images from the Kelmarsh collection have been able to viewed online through artuk.org. At present there are 88 works that can be viewed through that website.
I am pleased to be able to see images of my forebears on the Internet, but I look forward to seeing the originals of the portraits and paintings at Kelmarsh Hall.
My 11th great grandmother was Temperance Crew nee Bray (abt 1580 – 1619). She was the wife of Sir Thomas Crew (1564 – 1634), a lawyer and politician. His entry in the History of Parliament online mentions his marriage to her, noting that she was the daughter of Reynold Bray of Steane and a kinswoman of the 7th Earl of Shrewsbury, Gilbert Talbot (1552 – 1616). Temperance, her father who died in 1583, and her and Thomas’s son John, are also mentioned in her husband’s entry in the Dictionary of National Biography.
Temperance was the fourth of five daughters of Sir Reginald (or Reynold) Bray (c. 1550 – 1583) and his wife Anne Bray nee Vaux (c. 1550 – 1619). She was baptised on 6 November 1580 at Hinton in the Hedges, Northamptonshire.
Reginald Bray died in October 1583 and was buried at Hinton in the Hedges on 18 October 1583. Reginald was aged about 44.
Reginald had one son, William, who died in his father’s lifetime aged about 7. Reginald had five daughters who were his coheirs:
Mary, aged 14 in 1583 thus born about 1569. On 16 August 1586 at Eaton Bray, Bedfordshire, she married Sir William Sandys (c 1562 – 1641) of Fladbury, Worcestershire. She appears to have died by 1597 about which time Sir William Sandys married secondly to Margaret Culpepper. She appears not to have had children.
Anne, aged 10 in 1583 thus born about 1573; she was later the wife of John Sotherton (1562 – 1631), a judge and later a Baron of the Exchequer. John Sotherton married two more times and had two sons and a number of daughters – it is not certain if Anne was the mother of these children. Anne had died by 1602.
Alice, aged 6 in 1583 thus born about 1577. In 1592 she married Nicholas Eveleigh, a lawyer. Nicholas Eveleigh died aged 56 in 1618 when the Chagford Stannary Courthouse collapsed killing him, two of his clerks and seven others, also leaving a further 17 injured. She secondly married Elize (Ellis) Hele, a lawyer and philanthropist who died in 1635. The trust from his will was used to found a number of schools including Pympton Grammar School. Alice died on 20 June 1635, it would seem she had no children. She and her second husband are buried at Exeter Cathedral but there is a monument to both of her husbands at Bovey Tracey Church.
Temperance, aged 3 in 1583 (see below)
Margery, age 2 in 1583 thus born about 1581. She married Francis Ingoldsby of Boughton and they had a son John.
The chancel of Bovey Tracey Church, Devon looking eastward. On the left (north) side , the monument with effigy of Nicholas Eveleigh (d.1618); on the south side the monument with effigy of Elize Hele (d.1635), who married Eveleigh’s widow Alice Bray. Photograph by Wikimedia commons user Lobsterthermidor [CC BY-SA 3.0], retrieved from Wikimedia Commons
Effigy in Bovey Tracey Church, Devon, of Nicholas Eveleigh (d.1618) of Parke in the parish of Bovey Tracey. Photograph from Wikimedia Commons by user Lobsterthermidor [CC BY-SA 3.0]
Monument to Elize Hele in Bovey Tracy Church, Devon. Below his effigy are the kneeling effigies of his two wives, facing each other in prayer, behind the left one kneels his young son. Photograph from Wikimedia Commons by user Lobsterthermidor [CC BY-SA 3.0]
In 1596 Temperance married Thomas Crew (1665 – 1634). Temperance was a kinswoman of Gilbert Talbot, 7th Earl of Shrewsbury (1552 – 1616). Thomas Crew was in the service of the Earl. Thomas had been educated at Shrewsbury School and the Inns of Court.
Thomas Crew was first elected to Parliament in 1604 representing Lichfield.
Memorial to Sir John Curzon, All Saints’ Church, South Transept, Kedleston Photograph from Geograph.org.uk
Temperance Crew (abt 1609 – 1634)
Temperance married John Browne (c 1608 – 1691) and died without having children. She is memorialised at Steane. In June 1660 Samuel Pepys recorded in his diary that he went to visit Mrs Browne. The 2000 edition published by University of California Press has annotated that Mrs Browne was Elizabeth, second wife of John Browne, Clerk of the Parliaments: his first wife (d. 1634) was Temperance Crew, aunt of Montagu’s wife.
Silence Crew (abt 1611 – 1651)
Silence married Sir Robert Parkhurst (1603 – 1651) of Pyrford, Surrey, Member of Parliament. They had one son.
Salathiel Crew (1612 – 1686)
Attended Lincoln College, Oxford, matriculated 25 November 1631. Was a soldier. In 1641 there was a Certificate of residence showing Salathiel Crew (or the variant surname: Crewe) to be liable for taxation in Northamptonshire, and not in the half-hundred of Newport, Buckinghamshire, the previous area of tax liability. Salathiell Crew was appointed sherif of Rutland in 1652. Salathiel Crew was buried at Hinton in the Hedges. His will mentions his brother Thomas and two granddaughters, Isabella and Elizabeth. I have found no record of Salathiel’s marriage, children or military career other than the mention of militis in Oxford University Alumni.
Prudence Crew (1615 – 1641)
Prudence Crewe died unmarried in 1641. She left a will probated 10 June 1641.
Temperance Crewe died in 1619.
Sir Thomas rebuilt the chapel of St Peter at Steane in memory of his wife who was buried there and an altar Tomb bears her figure and that of Sir Thomas dressed in his Sergeants robes.On a tablet is this inscription:
“Temperans Crewe, the wife of Thomas Crewe, esq. And one of the daughters and coheirs of Reginald Bray, esq. By his wife Anne, his wife, daughter of Thomas Lord Vaux, died in the year of our Lord 25 October, 1619, in the year 38 of her age, and now restith from her labours, and hir works follow hir:
A daughter of Abraham here doth lye
Returned to her dust
Whole life was hid in Christ with God
In whom was all her trust
Who wifely wrought while it was day
And in hir spirit did watch and pray
To heare God’s word attentive was her care
Hir humble hart was full of holy feare
Hir hande which had good blood in every vaine
Yet was not dayntye nor did disdayne
Salve to applye to Lazarus fore
And was inlarged to the poore
Lyke God’s Angells she honor’d those
That taught his word and did his will disclose
And persons vile her hart abhor’d
But reverenst such as fear’d the Lord
A true Temperans in deed and name
Now gone to heaven from whence she came
Who with her lott was well contented
Who lived desired and dyed lamented.
Premissa non amissa, discessa non mortua
Conjux casta, parens foelix, matrona pudica,
Sara vivo, mundo Martha, Maria deo.” [Having never lost, went out without having died, = Not lost, but gone before A chaste wife, a happy parent, a modest lady, A living Sara, a worldly Martha, Maria of god.]
Photographs of the chapel and the monument can be seen by clicking the links below:
Thomas Crew served as speaker of the House of Commons from 1623 – 1625. Thomas Crew was knighted in 1623.
To the end of his life Sir Thomas Crew continued to practice law.
Portrait of Sir Thomas Crewe, Speaker 1623 – 1625. Given by his descendant Ralph Cartwright, Esq. 1805. In the collection of the UK Parliament (catalogue number WOA 2702) Crew displeased James 1 by upholding the liberties of Parliament as ‘matters of inheritance, not of grace’ but later said by the King to be the ‘ablest Speaker known for years’.
Crewe died on 1 Feb. 1634, aged 68, and was buried with his wife under the marble effigy in the chapel he had built at Steane. His funeral sermon praised the quickness of his wit, the firmness of his memory, and the readiness of his expression. He was said to be one who ‘set the stamp of religion on all his courses, in his whole conversation’, ‘a man exceeding conscionable’, ‘a marvellous great encourager of honest, laborious, religious ministers’, ‘the poor man’s lawyer’, and ‘a great lover of his country’.
British History online : ‘House of Commons Journal Volume 7: 12 November 1652’, in Journal of the House of Commons: Volume 7, 1651-1660 (London, 1802), pp. 214-215. British History Onlinehttp://www.british-history.ac.uk/commons-jrnl/vol7/pp214-215
Chancery: Inquisitions post mortem: Bray, Reginald: Northampt. Esc. 26 Eliz. n. 119. Reference C 142/204/119
Certificate of residence showing Salathiel Crew (or the variant surname: Crewe) to be liable for taxation in Northamptonshire, and not in the half-hundred of Newport, Buckinghamshire, the previous area of tax liability. Reference E 115/112/113
ancestry.com
England, Select marriages ,1538 – 1973
Wills probated in the Prerogative Court of Canterbury
My father has a small collection of family portraits. One is a miniature of his father Richard Geoffrey “Geoff” Champion de Crespigny (1908 – 1966) as a child.
The portrait is signed ‘O. A. Chatfield’. This was Olive Amy Chatfield (1880 – 1945).
Olive Chatfield was born in New Zealand, the fourth of eight children of an architect named William Charles Chatfield (1852 – 1930). Olive’s mother Mary Chatfield nee Hoggard (1853 – 1896) died when Olive was 15.
In November 1910 Olive Chatfield ‘of New Zealand’ was one of the artists in the 13th annual Federal Art Exhibition in Adelaide, a showing organised by the South Australian Society of Arts. I am not sure when Olive Chatfield came to Adelaide or why she was living there.
In March 1912 Miss Olive Chatfield donated a miniature portrait of Lady Bosanquet, wife of the South Australian Governor, to the Art Gallery of South Australia. Described as ‘gouache on ivory, 7.6 x 6.3 cm’, it remains in the Gallery’s collection,
In 1914 and 1915 Olive Chatfield is mentioned several times in Adelaide newspapers, usually under ‘social notes’.
Olive Hughes did not re-marry, and in November 1916 returned to New Zealand, where under the name of Mrs Westbury Hughes she practiced as a professional artist specialising in miniature portraits. Some of her work was exhibited by the New Zealand Academy of Fine Arts.
Photo of Olive Hughes accompanying an article in the Sydney Sun of 16 December 1923
ART AND HEREDITY (1923, December 16). The Sun (Sydney, NSW : 1910 – 1954), p. 1 (Women’s Supplement). Retrieved December 6, 2018, from http://nla.gov.au/nla.news-article222682064
Olive Hughes died in Wellington, New Zealand on 10 July 1945.
There is a family resemblance down the generations between Geoff and his descendants.
ART AND HEREDITY (1923, December 16). The Sun (Sydney, NSW : 1910 – 1954), p. 1 (Women’s Supplement). Retrieved December 6, 2018, from http://nla.gov.au/nla.news-article222682064
Last Wednesday I went on a group tour of Parliament House in Melbourne. This magnificent building is a wonderful example of high-Victorian public architecture.
The double-storey Parliamentary Library, with its gas lights, curving staircases and central ten-sided table is particularly impressive.
Hanging in what is known as Queen’s Hall is a portrait of Sir Harry Lawson (1875 – 1952), politician and Premier of Victoria from 1918-1924. Lawson was a first cousin of my great grandmother Beatrix de Crespigny nee Hughes. The portrait, painted in 1981, is a copy of a 1923 portrait by John Longstaff.
Sir Harry Lawson, portrait by John Perry 1981. This copy of ‘Portrait of Sir Harry Lawson’ 1923 by John Longstaff (original held at Castlemaine Art Gallery and Historical Museum) was presented to the Parliament of Victoria by the Lawson Family and the Perpetual Executors and Trustees Association of Australia Ltd in 1981.
Also on display is crockery from the Parliament House collection, with it a program for a dinner given to Harry Lawson by the Government of Victoria on 20 December 1922, shortly before Lawson’s departure for an official trip to Europe.
Our group also visited the Shrine of Remembrance, Melbourne’s war memorial, in St Kilda Road. Lawson was a trustee of the Shrine of Remembrance. It was commissioned while he was Premier.
Report of the opening of the Shrine on 11 November 1934: VICTORIA’S GREAT SHRINE OF REMEMBRANCE. (1934, November 12). The Age (Melbourne, Vic. : 1854 – 1954), p. 13. Retrieved from http://nla.gov.au/nla.news-article205078251
