Philip Champion Crespigny married Clarissa Sarah Brooke 1 July 1774

Philip Champion de Crespigny (1738 – 1803), one of my fifth great grandfathers, married four times. His third marriage was to Clarissa Brooke on 1 July 1774 at St Marylebone. They married by licence with the consent of her father, James Brook(e) of Rathbone Place. She was a minor, of the parish of St Marylebone. Philip was recorded as an Esquire, of Walton upon Thames, County of Surry, widower. He signed his name PC Crespigny. The witnesses were James Brooke and Hester Brooke.

Clarissa Sarah, daughter of James Brooke an engraver, and Esther Brooke nee Bent of Fleet Street in the City of London, was born on 29 April 1755 and baptised on 3 June 1755 at St Bride’s Fleet Street. Clarissa’s mother Esther later left her husband and became an actress.

The Gentleman’s Magazine London, England July, 1774

Clarissa and Philip had four children:

• Clarissa (about 1775 – 1836) who married Edward Toker
• Maria (1776 – 1858) who married John Horsley
• Harry (1777 – ?) baptised 14 August 1777 at Walton-upon-Thames, Surrey and presumably died young
• Fanny (1779 – 1865)

Clarissa and two of her daughters were painted in 1780 by George Romney. By 1780 Romney’s portraits, according to Horace Walpole, were ‘in great vogue’. Romney’s diary notes that the painting was oval and he charged fifty pounds.

Fifty pounds in today’s value is around £7,000 ($AUD13,000) when measured as a real price. However it could be valued as the labour earnings of that income or wealth equivalent to £80,000 ($AUD150,000) or looked as relative income value of that income or wealth being £95,000 ($AUD175,000). I think the two latter values more closely measure how much Romney was earning and thus what Philip needed to earn in order to pay him.

Clarissa Champion de Crespigny and two of her children by George Romney. It would seem that the daughters shown are Clarissa born about 1775 and Maria born about 1776.
The painting was last sold in 1989 from a private seller to a private buyer through the London dealers Leger Galleries. This image is from a reproduction of the painting and came from Alex Kidson, Research Fellow of the Romney Society.

Clarissa had appointments to sit for the portrait on 14 and 17 April and each of the four days from 13 to 16 June 1780. She cancelled four further appointments around those dates. In his 2015 catalogue of the paintings of George Romney, Alex Kidson notes the unusual landscape oval format and the “subtleness of design in the angling and interlocking of the figures”.

Clarissa died on 15 May 1782 in Palace Yard, Westminster, and was buried at St Marylebone on 22 May. She was twenty-seven years old. A short biographical piece on her father refers to her as an amiable and accomplished lady who died in the prime of life.

Smith, Thomas. (2013). A Topographical and Historical Account of the Parish of St. Mary-Le-Bone, Comprising a Copious Description of Its Public Buildings, Antiquities, Schools, Charitable Endowments, Sources of Public Amusement, &c. London: Forgotten Books. (Original work published 1833) retrieved from http://www.forgottenbooks.org/books/A_Topographical_and_Historical_Account_of_the_Parish_of_St_1000735867 The same obituary appeared elsewhere, for example in the Hampshire Chronicle of 2 November 1807.

Related posts

• Philip Champion de Crespigny (1738 – 1803)
• O is for Old Palace Yard
• Maria (1776-1858) daughter of Clarissa. Maria Champion Crespigny born 1776 married John Horsley. I have also written a second post about Maria’s husband John Horsley: The 1828 census: John Horsley.
• Fanny (1779-1865) daughter of Clarissa. Fanny Champion Crespigny 1779 -1865.

Wikitree:

• Clarissa Sarah (Brooke) Champion Crespigny (1755 – 1782)

A portrait of Betsy or of Anne?

In 1912 pastel portraits of four members of the Champion de Crespigny family were sold by the art-auction firm Christie’s. The unnamed artist was listed as ‘British school’.

Without offering any authority for its identifications, Christie’s sale catalogue names the sitters as:

• Sir Claude Champion de Crespigny, Bart., in grey coat and plum coloured vest
• Susanna, sister of the above, and wife of Sir Richard Sutton, Bart,. in white flowered cloak and straw hat
• Sarah, wife of Sir William Champion de Crespigny, Bart., in yellow dress with blue scarf
• Anne, wife of Philip de Crespigny, Esq., in white flowered dress, oval

The portrait of Anne is now considered to have been the work of an eighteenth-century Scottish portrait-painter, Katherine Read (1723 – 1778). It was sold most recently by Sotheby’s auction house in 2018. The other three portraits are probably by the same artist.

Katherine Read PORTRAIT OF A WOMAN, PROBABLY ANNE CHAMPION DE CRESPIGNY (1739-1797), BUST LENGTH, WITHIN A DRAWN OVAL sold by Sotheby’s lot 54 29 October 2018

Last year on a visit to Kelmarsh Hall, the Northamptonshire country residence of the Lancaster family who were cousins of the Champion de Crespigny family, I took the opportunity to view the various de Crespigny and other family portraits on display.

The Kelmarsh collection includes oil-on-canvas copies of all four of the portraits sold in 1912. However, there are discrepancies between the names attributed to the sitters of the pastel portraits and those of the oil copies.

Sir Claude Champion de Crespigny (1734–1818), 1st Bt British (English) School Kelmarsh Hall Medium oil on canvas Measurements H 74 x W 62 cm

Susan (1735–1776), Sister of Sir Claude Champion de Crespigny, 1st Bt George Romney (1734–1802) (circle of) Kelmarsh Hall Medium oil on canvas Measurements H 75 x W 62 cm

Mary Clarke (1749–1812), Wife of Sir Claude Champion de Crespigny, 1st Bt British (English) School Kelmarsh Hall Medium oil on canvas Measurements H 75 x W 62 cm

Betsy Hodges (d.1772), Second Wife of Philip Champion de Crespigny George Romney (1734–1802) (circle of) Kelmarsh Hall Medium oil on canvas Measurements H 75 x W 62 cm

Kelmarsh Hall oil on canvas portraits of Claude, Susan, Mary, and Betsy de Crespigny

The first two portraits, Claude (1734 – 1818), the first baronet, in a plum-coloured waistcoat and Susan wearing a straw hat, are clearly copies of the pastels and there is no discrepancy as to who the sitters were.

Susan, Claude’s sister, was born 1735 and died in 1766, which means that her portrait was probably drawn before 1766. In 1765 Susan married Richard Sutton. It seems reasonable to suppose that this portrait was done about the time of her wedding.

The sitter of the third pastel portrait was identified in the 1912 Christie’s catalogue as Sarah (1763 – 1825), wife of Sir William Champion de Crespigny (1765 – 1829).

Kelmarsh Hall has a oil portrait said to be of Sarah, and in this she is wearing a blue dress with a yellow shawl not, as in the pastel, a yellow dress with blue scarf. She is very much younger than the other sitters.

Kelmarsh Hall also has a portrait of Mary (1747 – 1812), wife of Sir Claude Champion de Crespigny the first baronet. She is wearing a yellow dress with a blue shawl, as described in the 1912 catalogue. I think it more likely based on the description that the third pastel portrait in the 1912 catalogue is the portrait hanging at Kelmarsh and now said to be of Mary de Crespigny née  Clarke.

Lady Sarah Windsor (1763–1825) British (English) School Kelmarsh Hall Medium oil on canvas Measurements H 74 x W 61 cm

Mary Clarke (1749–1812), Wife of Sir Claude Champion de Crespigny, 1st Bt British (English) School Kelmarsh Hall Medium oil on canvas Measurements H 75 x W 62 cm

Kelmarsh Hall: Lady Sarah Windsor (1763–1825) and Mary Clarke (1749–1812), Wife of Sir Claude Champion de Crespigny, 1st Bt

Claude and Mary married in 1764. I think perhaps the first and third portraits were done not long after their wedding, maybe about 1765, at the time when Susan’s portrait was done. It seems likely that the 1912 catalogue misidentified the sitter as the wife of the second baronet. She was in fact Mary, wife of the first baronet. The Kelmarsh Hall portrait of Mary seems to be a better match to the other three portraits and thus likely to be a copy of the third pastel sold in 1912.

There is another possibility: the third portrait is of Sarah Champion de Crespigny née Cocksedge, the first wife of Philip Champion de Crespigny who was the brother of Claude and Susan. Sarah de Crespigny died in 1768. It may be that the 1912 catalogue description correctly identified the sitter as Sarah de Crespigny but misattributed the husband as William de Crespigny (1765 – 1829) instead of his uncle Philip de Crespigny (1738 – 1803). I know of no other portrait of this Sarah de Crespigny.

The fourth portrait, of Anne, has been offered for sale several times since 1912, most recently in 2018. This portrait was probably of Anne Champion de Crespigny, the sister of Philip and Claude, not of her mother, Anne Champion Crespigny née Fonnereau (1704 – 1782), wife of Philip (1704 – 1765). The woman in the portrait, probably drawn in the 1760s, is too young to be the senior Anne de Crespigny.

Katherine Read PORTRAIT OF A WOMAN, PROBABLY ANNE CHAMPION DE CRESPIGNY (1739-1797), BUST LENGTH, WITHIN A DRAWN OVAL sold by Sotheby’s lot 54 29 October 2018

Betsy Hodges (d.1772), Second Wife of Philip Champion de Crespigny George Romney (1734–1802) (circle of) Kelmarsh Hall Medium oil on canvas Measurements H 75 x W 62 cm

The pastel portrait sold most recently by Sotheby’s in 2018 and thought to be of Anne de Crespigny, and the Kelmarsh oil on canvas portrait said to be of Betsy de Crespigny née Handly. I am reasonably certain the painting at Kelmarsh Hall is a copy of the pastel portrait and is thus of the same woman – so is the portrait of Anne or of Betsy?

However, the copy of the portrait identified in 1912 and 2018 as Anne de Crespigny is identified at Kelmarsh as being of Betsy Hodges née Handly formerly Borradale, second wife of Philip Champion de Crespigny brother of Claude and Susan and Anne.

Betsy was born in 1743. In 1765 she married George Borradale, a clergyman. They were divorced in 1769 and Borradale died shortly afterwards. In 1770 or 1771 Betsy married again, to Philip Champion de Crespigny, who had been widowed in 1768. Betsy died in May 1772, not long after the birth of her son Charles Champion de Crespigny (1772 – 1774).

It is hard to know if the pastel portrait with a copy at Kelmarsh Hall is of Anne or her sister-in-law Betsy.

At the time of the 2018 sale of the pastel through Sotheby’s, the description of the work stated that there was an indistinct inscription on the reverse. The lot includes a photo of the reverse but I am unable to make out any inscription. Perhaps in the early 20th century the inscription was clearer and thus the attribution of the sitter as Anne de Crespigny was based on that inscription.

Philip Champion de Crespigny (1738 – 1803) had four wives: Sarah died 1768, Betsy died 1772, Clarissa died 1782 and Dorothy died 1837. Clarissa and Dorothy had their portraits painted by the fashionable artist George Romney. Philip was interested in portrait painting and it seems plausible that his first wife would have had her portrait done.

If the inscription on the reverse of the fourth portrait could be deciphered it might give more certainty as to who the sitter was. Similarly if the third portrait re-appears, an inscription would also give some certainty as to who the sitter might be.

I suspect that the 1912 catalogue was correct in the names of the sitters, that is the four portraits were of Claude, Susan, Sarah and Anne de Crespigny. Confusion may have arisen because the 1912 catalogue was incorrect as to who were the husbands of Sarah and Anne de Crespigny. It also may be that Kelmarsh Hall has misattributed the sitters of the portraits of Mary de Crespigny née  Clarke and Betsy de Crespigny née  Handley. Without further documentation I don’t think it is possible to be certain.

Anne Champion de Crespigny (1739 – 1797)

My sixth great aunt Anne Champion de Crespigny (1739 – 1797) was the sixth of seven children of Philip Champion de Crespigny (1704-1765) and his wife Anne née Fonnereau (1704-1782). She was born on 10 October 1739 and was baptised on 30 October 1739 at the Church of St Benet Paul’s Wharf, London.

Anne’s father Philip had a successful career as a lawyer. At one point he held the position of Marshal of the Court of Admiralty, its senior sheriff. Philip’s father Thomas Champion Crespigny (1666 – 1712), a Huguenot refugee, served in the English army. He died at the age of forty-eight, when Philip was only seven years old. Philip was indentured at the age of fourteen to Charles Garrett, procurator of the ecclesiastical Arches Court of Canterbury. In 1731 Philip married Anne Fonnereau, the daughter of a wealthy Huguenot merchant.

• Philip and Anne had seven children, two of whom died young:
• Jane Champion Crespigny 1733–died young
• Claude Champion de Crespigny 1734–1818 the 1st baronet Champion de Crespigny
• Susan Champion Crespigny 1735–1766
• Anne Champion Crespigny 1736–1738
• Philip Champion Crespigny 1738–1803 my 5th great grandfather
• Anne Champion Crespigny 1739–1797
• Jane Champion Crespigny 1742–1829

About 1765, Anne de Crespigny’s portrait was drawn in pastel by Catherine Read (1723 – 1778).

Anne de Crespigny married twice. Her first marriage, in April 1765, only two months after her father’s death, was to Bonouvrier Glover (1739 – 1780). Her second marriage, in 1783, was to James Gladell, later James Gladell Vernon (1746 – 1819). Anne had no children by either marriage..

Anne left a will dated 7 January 1797 probated in the Prerogative Court of Canterbury on 5 July 1797. At the time this was drawn up her
residence was Hereford Street in the Parish of Saint George Hanover
Square in the Liberty of Westminster and County of Middlesex. Her will
refers to her marriage settlement, her husband James Gladell, her
brother-in-law, the husband of Susan, Sir Richard Sutton, and to George
Stainforth. I am not sure how George Stainforth is related or connected. She also mentioned and left money to:

• her nephews Thomas Champion Crespigny (1763 – 1799) and Philip Champion Crespigny (1765 – 1851), sons of her brother Philip Champion de Crespigny (1738 – 1803) and his first wife Sarah
• Her brother Claude Champion Crespigny, her sister in law Mary and her nephew William (1765 – 1829)
• Her godson William Other Champion Crespigny, this would have been the son of William, grandson of Claude, born 1789 and died 1816
• Her sister Jane Reveley, her brother in law Henry Reveley (1737 – 1798), her niece Henrietta Reveley (1777 – 1862), her nephews Hugh Reveley (1772 – 1851) and Algernon Reveley (1786 – 1870), and her niece Elizabeth Anne Roper (1773 – 1816)
• Her niece Anne (1768 – 1844) the wife of Hugh Barlow and daughter of Philip Champion de Crespigny (1738 – 1803) and his first wife Sarah
• Her four nieces Clara (Clarissa 1776 – 1836), Maria (1776 – 1858), Fanny (1779 – 1865) and Elizabeth Champion Crespigny (Eliza 1784 – 1831); daughters of Philip and his 3rd and 4th wives Clarissa and Dorothy
• Right Honourable Alice Countess of Shipbrook, the widow of her husband’s uncle Francis Vernon (1716 – 1783)
• Richard Glover (1750 – 1822), her brother-in-law from her first marriage

Following the probate records include a letter from Anne to her niece Henrietta, presumably kept because it describes how she wished to have some of her belongings dispersed. I have transcribed this below, keeping the original spelling.

March the 20th

My Dear Henrietta

As I am going to have an opporation performed that renders my recovery doubtful I write you these lines to say that my wardrobe and all that is in my drawers independant of my Trinket Box (which Mr Vernon is intitled to by right. As well as by my desire I leave to you conditionally that you will resave for your own use and benefit all that – is worth your acceptanttance desiring you will give everything else to my maid Mitrell (?) Who having lived but a few months with me is not intitled to great perquisites at the same time would give her what ever is not worth your acceptance an Ivory ffan which John Shore brought me from India & desire may be sent to my ffriend Lady Shelley as a small token of my Remembrance

Most affectionately A. G. Vernon

She died on 2 June 1797. This was recorded by The European Magazine, and
the London Review.